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Daimajin (大魔神) is a 1966 Japanese film of the Daimajin series directed by Kimiyoshi Yasuda. Its musical score is composed by Akira Ifukube. The film had a brief stateside theatrical release in 1968. Reportedly, it was shown both in Japanese with English subtitles and dubbed into English. The English dubbed version was later released directly to TV by American International Television under the title Majin the Monster of Terror.
Plot
The movie opens with a household of peasants cowering during a series of earth tremors that are interpreted as the escape attempts of Daimajin, a spirit trapped within the mountain. The village gathers at their shrine. This is observed by the local feudal boss, Lord Hanabasa, a good and just man. It is also observed by his treacherous chamberlain, Samanosuke (Yutaro Gomi). Samanosuke has been waiting for just such a diversion to stage a coup d'état.
As the villagers pray, Samanosuke and his henchmen slaughter Hanabasa and his wife, but their son and daughter escape, aided by the heroic samurai Kogenta (Jun Fujimaki). Back at the shrine, Samanosuke's men break up the meeting, forbidding all such gatherings in the future. The priestess issues a dire warning, but the men ignore her.
Discouraged, the priestess, Shinobu, goes home, only to find Kogenta and the two children. She takes them up the side of the mountain, into forbidden territory, where the stone idol which is Daimajin stands, half-buried into the side of the mountain.
The movie opens with a household of peasants cowering during a series of earth tremors that are interpreted as the escape attempts of Daimajin, a spirit trapped within the mountain. The village gathers at their shrine. This is observed by the local feudal boss, Lord Hanabasa, a good and just man. It is also observed by his treacherous chamberlain, Samanosuke (Yutaro Gomi). Samanosuke has been waiting for just such a diversion to stage a coup d'état.
As the villagers pray, Samanosuke and his henchmen slaughter Hanabasa and his wife, but their son and daughter escape, aided by the heroic samurai Kogenta (Jun Fujimaki). Back at the shrine, Samanosuke's men break up the meeting, forbidding all such gatherings in the future. The priestess issues a dire warning, but the men ignore her.
Discouraged, the priestess, Shinobu, goes home, only to find Kogenta and the two children. She takes them up the side of the mountain, into forbidden territory, where the stone idol which is Daimajin stands, half-buried into the side of the mountain.
Near this idol is an ancient temple - safe as only Shinobu knows of its existence.
The children grow to adulthood. The son, Tadafumi (Yoshihiko Aoyama) reaches his 18th birthday. The years have been miserable on the villagers. Samanosuke is a brutal leader (in one scene, he gouges out an old woman's eye with a red-hot iron hook) who is using every man in the starving village as slave labor. The place is ripe for revolution, and surviving Hanabasa retainers are starting to return.
Kogenta journeys to the village to try to gather the old retainers, but gets himself captured. A boy gets word to Tadafumi and his sister, Kozasa (Miwa Takada) that their friend is a prisoner. Tadafumi tries to rescue him, only to discover it's a trap. With both awaiting execution, Shinobu tries to talk to the tyrant, who is drinking too much and becomes incensed at all this talk of the god of the mountain; he murders the priestess and orders the idol demolished.
The children grow to adulthood. The son, Tadafumi (Yoshihiko Aoyama) reaches his 18th birthday. The years have been miserable on the villagers. Samanosuke is a brutal leader (in one scene, he gouges out an old woman's eye with a red-hot iron hook) who is using every man in the starving village as slave labor. The place is ripe for revolution, and surviving Hanabasa retainers are starting to return.
Kogenta journeys to the village to try to gather the old retainers, but gets himself captured. A boy gets word to Tadafumi and his sister, Kozasa (Miwa Takada) that their friend is a prisoner. Tadafumi tries to rescue him, only to discover it's a trap. With both awaiting execution, Shinobu tries to talk to the tyrant, who is drinking too much and becomes incensed at all this talk of the god of the mountain; he murders the priestess and orders the idol demolished.
The crew that travels up the mountain to smash Daimajin accidentally discovers Kozasa, and force her to take them to the idol. The soldiers bring out an enormous chisel and proceed to hammer it into Majin's head; they stop when they see blood beginning to drip from the statue. Horrified, the men attempt to flee, but the earth cracks open and swallows them.
Kozasa begs Daimajin to save her brother and punish the wicked Samanosuke. At the fortress, Tadafumi and Kogenta are tied to large crosses, awaiting their fates. Kozasa offers her life to Daimajin and attempts to throw herself over the nearby waterfall, but the rock and earth covering the lower half of the idol fall away, and it walks out into the clearing. Kozasa prostrates herself before it, as the stone mask disappears, revealing the true face of the Daimajin, a vengeful spirit resembling that of a grotesque shogun.
Daimajin goes to Samonosuke's stronghold, which he destroys. After impaling Samanosuke with the chisel from his forehead, Daimajin now turns its wrath upon everyone in sight. Only Kozasa, once more offering her life and letting her teardrops fall on his stone feet, stops its rampage. The spirit leaves the statue, flying away. It collapses into a heap of rubble.
Kozasa begs Daimajin to save her brother and punish the wicked Samanosuke. At the fortress, Tadafumi and Kogenta are tied to large crosses, awaiting their fates. Kozasa offers her life to Daimajin and attempts to throw herself over the nearby waterfall, but the rock and earth covering the lower half of the idol fall away, and it walks out into the clearing. Kozasa prostrates herself before it, as the stone mask disappears, revealing the true face of the Daimajin, a vengeful spirit resembling that of a grotesque shogun.
Daimajin goes to Samonosuke's stronghold, which he destroys. After impaling Samanosuke with the chisel from his forehead, Daimajin now turns its wrath upon everyone in sight. Only Kozasa, once more offering her life and letting her teardrops fall on his stone feet, stops its rampage. The spirit leaves the statue, flying away. It collapses into a heap of rubble.
Cast
- Miwa Takada as Kozasa Hanabusa
- Yoshihiko Aoyama as Tadafumi Hanabusa
- Jun Fujimaki as Kogenta
- Ryûtarô Gomi as Samanosuke
- Ryûzô Shimada as Tadakiyo Hanabusa
- Tatsuo Endô as Gunjurô
- Shôsaku Sugiyama
- Chikara Hashimoto
- Saburô Date as Ippei Cyjûma
- Otome Tsukimiya as Shinobu - The Shrine Maiden
- Keiko Kayama as Haruno
- Eigorô Onoe as Gosaku
- Gen Kimura as Mosuke
- Hideki Ninomiya as Tadafumi as a boy
- Shizuhiro Izoguchi as Take-bô
- Yûtarô Ban as Mondo
- Hideo Kuroki as Magojûrô
- Akira Shiga
- Jun Ôsugi
- Jun Katsumura
- Kazuo Moriuchi
- Akira Amemiya
- Shinjiro Akatsuki
- Kanji Uehara
- Masako Morishita as Young Kozasa
- Hatsumi Yoshikawa
- Riki Hashimoto as Daimajin
Production
Directed by Kimiyoshi Yasuda
Written by Tetsurô Yoshida
Produced by Masaichi Nagata and Mitsuru Tanabe
Music by Akira Ifukube
Cinematography by Fujio Morita
Edited by Hiroshi Yamada
Assistant Directing by Eiji Nishizawa
Special Effects by Yoshiyuki Kuroda
The cinematographer on Daimajin is sometimes credited to Yoshiyuki Kuroda and sometimes to Fujio Morita.
Release
Daimajin was released theatrically in Japan on April 17, 1966.
The film was released simultaneously in the United States with English subtitles by Daiei International Films and in an English-language dub by Bernard Lewis.
Directed by Kimiyoshi Yasuda
Written by Tetsurô Yoshida
Produced by Masaichi Nagata and Mitsuru Tanabe
Music by Akira Ifukube
Cinematography by Fujio Morita
Edited by Hiroshi Yamada
Assistant Directing by Eiji Nishizawa
Special Effects by Yoshiyuki Kuroda
The cinematographer on Daimajin is sometimes credited to Yoshiyuki Kuroda and sometimes to Fujio Morita.
Release
Daimajin was released theatrically in Japan on April 17, 1966.
The film was released simultaneously in the United States with English subtitles by Daiei International Films and in an English-language dub by Bernard Lewis.
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Gamera vs. Barugon (大怪獣決闘 ガメラ対バルゴン Daikaijū kettō: Gamera tai Barugon) is a 1966 Japanese kaiju film directed by Shigeo Tanaka. It is the second entry in the Gamera film series and was released directly to television in the United States by American International Television.
Plot
Set six months after the events of Gamera: The Giant Monster, a meteorite collides with the Z Plan rocket transporting the creature to Mars. Now free, Gamera returns to Earth and destroys Kurobe Dam in Japan. At the same time three mercenaries are sent by Kano, a World War II veteran, to an island in the South Pacific to retrieve a huge opal he once found and hid in a cave. Despite warnings from the local villagers, the trio find and locate the opal, but one dies from a fatal scorpion sting. The second man, Keisuke, Kano's younger brother, is betrayed by his fellow expeditioner Onodera and apparently killed in a cave-in.
En route back to Japan, Onodera accidentally leaves the opal exposed to an infrared light. The heat incubates the opal - actually an egg - and a lizard eventually hatches. Growing to enormous size very quickly, the lizard destroys the ship and Kobe Harbor. Keisuke, having survived the cave-in, awakens in the care of the villagers. He then returns to Japan with a village girl called Karen, who refers to the lizard as Barugon. Barugon wreaks havoc in Osaka with its freeze-gas emitting tongue and stops the launching of the retaliative missiles with a rainbow-like ray emitted from seven spines on the middle of its back.
Set six months after the events of Gamera: The Giant Monster, a meteorite collides with the Z Plan rocket transporting the creature to Mars. Now free, Gamera returns to Earth and destroys Kurobe Dam in Japan. At the same time three mercenaries are sent by Kano, a World War II veteran, to an island in the South Pacific to retrieve a huge opal he once found and hid in a cave. Despite warnings from the local villagers, the trio find and locate the opal, but one dies from a fatal scorpion sting. The second man, Keisuke, Kano's younger brother, is betrayed by his fellow expeditioner Onodera and apparently killed in a cave-in.
En route back to Japan, Onodera accidentally leaves the opal exposed to an infrared light. The heat incubates the opal - actually an egg - and a lizard eventually hatches. Growing to enormous size very quickly, the lizard destroys the ship and Kobe Harbor. Keisuke, having survived the cave-in, awakens in the care of the villagers. He then returns to Japan with a village girl called Karen, who refers to the lizard as Barugon. Barugon wreaks havoc in Osaka with its freeze-gas emitting tongue and stops the launching of the retaliative missiles with a rainbow-like ray emitted from seven spines on the middle of its back.
Barugon encounters Gamera and the two battle, with Gamera eventually being frozen solid.
In the meantime, while debating with Kano on how to recover the opal, which he still believes to be aboard the sunken ship, Onodera inadvertently blurts out that he killed his two companions and then murders both Kano and Kano's wife to cover up his crime. After finding Onodera, Keisuke and Karen subdue him and leave him tied up in his home. Keisuke and Karen travel to the Japanese defense ministry and suggest a plan using a huge diamond to lure Barugon into a lake to drown. The plan fails because the diamond's radiation proves to be not enough. Another attempt by irradiating the diamond with additional infrared radiation almost succeeds, until Onodera, having been released and informed of the diamond by his wife, steals the gem. Both he and the diamond, however, are immediately devoured by Barugon.
In the meantime, while debating with Kano on how to recover the opal, which he still believes to be aboard the sunken ship, Onodera inadvertently blurts out that he killed his two companions and then murders both Kano and Kano's wife to cover up his crime. After finding Onodera, Keisuke and Karen subdue him and leave him tied up in his home. Keisuke and Karen travel to the Japanese defense ministry and suggest a plan using a huge diamond to lure Barugon into a lake to drown. The plan fails because the diamond's radiation proves to be not enough. Another attempt by irradiating the diamond with additional infrared radiation almost succeeds, until Onodera, having been released and informed of the diamond by his wife, steals the gem. Both he and the diamond, however, are immediately devoured by Barugon.
Keisuke discovers that mirrors are not affected by Barugon's rainbow ray, so the military devises a plan to reflect its own rainbow emanation back at it with a giant mirror. Barugon is wounded by its own ray, but despite prompting it cannot be goaded into repeating its mistake. Gamera thaws out and attacks Barugon once again, and after a destructive battle it drowns Barugon in Lake Biwa, then flies away. Remorseful over the disaster his greed has caused, with his brother now dead, and having found love with Karen, Keisuke decides to make a fresh start on the island where it all began.
Cast
- Kōjirō Hongō as Keisuke Hirata
- Kyōko Enami as Karen
- Yūzō Hayakawa as Kawajiri
- Takuya Fujioka as Dr. Satō
- Kōji Fujiyama as Onodera
- Akira Natsuki as Ichirō Hirata
- Yoshirō Kitahara as Professor Amano
- Ichirō Sugai as Dr. Matsushita
- Bontarō Miake as Self-Defense Force General
- Jutarō Hōjō as Self-Defense Force Commander
- Kazuko Wakamatsu as Sadae Hirata
- Yuka Konno as Onodera's lover
- Eiichi Takamura as Governor of Osaka
- Kenichi Tani as Lee
- Kōichi Itō as Metropolitan Police Superintendent-General
- Hikaru Hoshi as Awaji Maru captain
- Osamu Abe as Awaji Maru crewman
- Yoshihiro Hamaguchi as Awaji Maru crewman
- Teruo Aragaki as Gamera
Production
The film features footage from the first Gamera film. Due to the commercial success of Gamera: The Giant Monster, the follow-up, Gamera vs. Barugon, had a expanded budget that Yuasa stated was 80 million yen.
Release
Gamera vs. Barugon was released in Japan on 17 April 1966. The film was never released theatrically in the United States. It was first shown in the United states by American International Television as War of the Monsters with an English-language dub supervised by Salvatore Billitteri. The film was reissued to television and home video by King Features Entertainment in 1987 as Gamera vs. Barugon.
The film features footage from the first Gamera film. Due to the commercial success of Gamera: The Giant Monster, the follow-up, Gamera vs. Barugon, had a expanded budget that Yuasa stated was 80 million yen.
Release
Gamera vs. Barugon was released in Japan on 17 April 1966. The film was never released theatrically in the United States. It was first shown in the United states by American International Television as War of the Monsters with an English-language dub supervised by Salvatore Billitteri. The film was reissued to television and home video by King Features Entertainment in 1987 as Gamera vs. Barugon.
Trivia
Japanese monster movies were often given bizarre translations in Germany. Most notably, references to the character Dr. Frankenstein were inserted into many of the movies released by Toho Studios, primarily their series of Godzilla films. As well, Godzilla characters like MechaGodzilla or Jet Jaguar were infamously renamed to King Kong. The German version of this movie carries one of the most bizarre such changes: Gamera is renamed to Barugon, and the actual Barugon is renamed to Godzilla. The movie was even given the alternate titles "Godzilla, der Drache aus dem Dschungel" ("Godzilla, the Dragon from the Jungle") and "Godzilla, Monster des Grauens" ("Godzilla, the Monster of Horror"). Confusing matters, on one of the movie's VHS covers, Gamera is shown fighting against the American Godzilla from Godzilla (1998) instead of Barugon.
The original idea for the film involved ice-based aliens invading Earth and oppressing humanity. Another idea the studio considered involved an ice giant from Scandinavian folklore. Eventually, the ice concept was carried over into Barugon's freezing ability.
The film was initially meant to be more adult-oriented, with the native island dancers appearing topless. While the movie was relatively serious and had some more adult moments such as intense fights, in the end the movie was released with child audiences in mind.
Since the Barugon suit wouldn't sink, it had to be cut into bits for the final scene when Gamera drags him into the water.
Japanese monster movies were often given bizarre translations in Germany. Most notably, references to the character Dr. Frankenstein were inserted into many of the movies released by Toho Studios, primarily their series of Godzilla films. As well, Godzilla characters like MechaGodzilla or Jet Jaguar were infamously renamed to King Kong. The German version of this movie carries one of the most bizarre such changes: Gamera is renamed to Barugon, and the actual Barugon is renamed to Godzilla. The movie was even given the alternate titles "Godzilla, der Drache aus dem Dschungel" ("Godzilla, the Dragon from the Jungle") and "Godzilla, Monster des Grauens" ("Godzilla, the Monster of Horror"). Confusing matters, on one of the movie's VHS covers, Gamera is shown fighting against the American Godzilla from Godzilla (1998) instead of Barugon.
The original idea for the film involved ice-based aliens invading Earth and oppressing humanity. Another idea the studio considered involved an ice giant from Scandinavian folklore. Eventually, the ice concept was carried over into Barugon's freezing ability.
The film was initially meant to be more adult-oriented, with the native island dancers appearing topless. While the movie was relatively serious and had some more adult moments such as intense fights, in the end the movie was released with child audiences in mind.
Since the Barugon suit wouldn't sink, it had to be cut into bits for the final scene when Gamera drags him into the water.
