- Published on
X-Plus was at the Miyazawa Model Exhibition yesterday where they revealed a few new vinyls set to come our way in March 2017. The samples have not yet been painted, but that just lets us focus more on these amazing new sculpts of Burning Godzilla, Titanosaurus and Kaiser Ghidorah.
Preorders will be taken early in 2017.
Today, X-Plus has moved the show to Tokyo Comic Con where X-Plus vinyl boss, Gee Okamoto, was kind enough to send some photos our way.
Preorders will be taken early in 2017.
Today, X-Plus has moved the show to Tokyo Comic Con where X-Plus vinyl boss, Gee Okamoto, was kind enough to send some photos our way.
Toho 30cm Series Godzilla 1995
東宝30cmシリーズ 「ゴジラ（1995版）」
With the recent releases of the Large Monster Series Godzilla 1995 and the Gigantic Series Godzilla 1995 (in all of its three versions) you may find this new 30cm Series version to be unneeded. The hell with that! I say this is probably the ULTIMATE version to have! The Gigantic is stylized and not movie-accurate. The 25 is pretty damn good but has face issues, and thick-paint-on-face issues on top of that. But this one is looking like a freaking masterpiece to me. This is THE ONE.
Just LOOK at that sculpt!
NO LIGHT
As for the Ric Boy Exclusive: there will be no light gimmick. While that may at first seem like a travesty, let’s remember what happened with the Large Monster Series version and its light gimmick. Eyes were often unevenly lit, and the face needed to be smothered in a thick, opaque, detail-killing coat of paint.
I’m actually kind of glad that we don’t have to worry about this amazing sculpt suffering the same fate as its shorter version. But then, what will the Ric extra be? The frozen version of the Gigantic Series G’95 already came with a mini Super X3. I would be floored if maybe they included a Junior Godzilla. We’ll have to wait and see.
Standard: ¥22,680 ($199 USD), Ric: ¥24,840 ($218 USD). Coming in March 2017.
Just LOOK at that sculpt!
NO LIGHT
As for the Ric Boy Exclusive: there will be no light gimmick. While that may at first seem like a travesty, let’s remember what happened with the Large Monster Series version and its light gimmick. Eyes were often unevenly lit, and the face needed to be smothered in a thick, opaque, detail-killing coat of paint.
I’m actually kind of glad that we don’t have to worry about this amazing sculpt suffering the same fate as its shorter version. But then, what will the Ric extra be? The frozen version of the Gigantic Series G’95 already came with a mini Super X3. I would be floored if maybe they included a Junior Godzilla. We’ll have to wait and see.
Standard: ¥22,680 ($199 USD), Ric: ¥24,840 ($218 USD). Coming in March 2017.
Toho Large Monster Series Titanosaurus
東宝大怪獣シリーズ 「チタノザウルス （メカゴジラの逆襲）」
X-Plus will complete it’s Large Monster Series Terror of Mechagodzilla line-up with this new Titanosaurus, ready soon to join your Godzilla 1975 and Mechagodzilla 1975 on the shelf!
Note the translucent fins on the head, back and tail. That’s something the 30 doesn’t have. As for which one looks better, I’ll leave that to you.
Standard: ¥14,580 ($128 USD), Ric: ¥15,012 ($132 USD). Coming in March 2017.
Note the translucent fins on the head, back and tail. That’s something the 30 doesn’t have. As for which one looks better, I’ll leave that to you.
Standard: ¥14,580 ($128 USD), Ric: ¥15,012 ($132 USD). Coming in March 2017.
Toho Large Monster Series Kaiser Ghidorah
東宝大怪獣シリーズ 「カイザーギドラ」
The true identity of Monster X, Kaiser Ghidorah, (sometimes spelled Keizer Ghidorah) from 2004’s Godzilla: Final Wars.
This figure is in the smaller Daikaiju Series (Large Monster Series) but there’s a lot more to it than most figures in the series, hence it’s 30cm Series pricing.
Standard: ¥19,980 ($175 USD), Ric: ¥21,600 ($190 USD). Coming in March 2017.
This figure is in the smaller Daikaiju Series (Large Monster Series) but there’s a lot more to it than most figures in the series, hence it’s 30cm Series pricing.
Standard: ¥19,980 ($175 USD), Ric: ¥21,600 ($190 USD). Coming in March 2017.
Toho Large Monster Series Shin Godzilla
東宝大怪獣シリーズ 「シン・ゴジラ」
Also on display was an unpainted Daikaiju Series Shin Godzilla Standard molded in black and a painted sample of the Ric Boy version. I’m assuming this painted version is a sample from the factory and not X-Plus’ master sample painted in Osaka. Its violet paint apps seem different from earlier photos and seems a bit “airbrushy” to me. They may be going for a faux light look.
The Standard version will have only red accents. I seriously can not wait for these. Getting both!
Preorders for the X-Plus Shin Godzilla have already closed.
Also on display at both shows were the new Toho Large Monster Series Ultraman Jack (Appearance Pose), Toho Large Monster Series Kingstron (from Return of Ultraman), and a painted version of the upcoming 30cm Series Gyaos.
There were also appearances by the 30cm Series Gamera 1967, Large Monster Series Godzilla and Mechagodzilla 1975 to support the new Gyaos and Titanosaurus.
Here is a gallery of extra photos taken at Tokyo Comic Con.
The Standard version will have only red accents. I seriously can not wait for these. Getting both!
Preorders for the X-Plus Shin Godzilla have already closed.
Also on display at both shows were the new Toho Large Monster Series Ultraman Jack (Appearance Pose), Toho Large Monster Series Kingstron (from Return of Ultraman), and a painted version of the upcoming 30cm Series Gyaos.
There were also appearances by the 30cm Series Gamera 1967, Large Monster Series Godzilla and Mechagodzilla 1975 to support the new Gyaos and Titanosaurus.
Here is a gallery of extra photos taken at Tokyo Comic Con.
By John Stanowski Originally posted December 2nd, 2016 on Kaiju Addicts.
- Published on
Episode 2 of Kaiju Addicts TV is now available. I take a look at all of the Diamond and Bluefin Reissues that have just released and will be released now thru January 2017.
They are the Gigantic Series Godzilla 1995 SDCC Exclusive (Available Now), 12in Series Godzilla 1992 (Available Now), King Ghidorah (Available next week!), 12in Series Godzilla 1984 (Coming in December), Biollante (Coming in December) and the Gigantic Series GMK Fin Emission Version (Coming in January 2017).
Leslie Chambers introduces this episode and we also get our first Guest Review from Jeremy Soles on his Gigantic Series Godzilla 1962 Ric Boy.
There’s also a contest for a Godzilla 1984 photo signed by suit actor Kenpachiro Satsuma.
They are the Gigantic Series Godzilla 1995 SDCC Exclusive (Available Now), 12in Series Godzilla 1992 (Available Now), King Ghidorah (Available next week!), 12in Series Godzilla 1984 (Coming in December), Biollante (Coming in December) and the Gigantic Series GMK Fin Emission Version (Coming in January 2017).
Leslie Chambers introduces this episode and we also get our first Guest Review from Jeremy Soles on his Gigantic Series Godzilla 1962 Ric Boy.
There’s also a contest for a Godzilla 1984 photo signed by suit actor Kenpachiro Satsuma.
By John Stanowski Originally posted November 27th, 2016 on Kaiju Addicts.
- Published on
Rich Eso reviews the Large Monster Series Legion 大怪獣シリーズ 大映特撮編 「レギオン」 vinyl figure by X-Plus. It’s from what is arguably one of the very best kaiju movies ever made: Gamera 2: Attack of Legion, ガメラ2 レギオン襲来 (1996).
See more content from Rich at his YouTube channel Fresh Vinyl Reviews.
See more content from Rich at his YouTube channel Fresh Vinyl Reviews.
By John Stanowski Originally posted November 23rd, 2016 on Kaiju Addicts.
- Published on
FIGURE SPECS
東宝30CMシリーズ 「ゴジラ（1992版）
JAPAN ORIGINAL RELEASE: 2011
NORTH AMERICAN REISSUE (DIAMOND): NOVEMBER 2016
SERIES: TOHO 30CM SERIES
MATERIAL: VINYL
FROM: “GODZILLA VS. MOTHRA” (1992)
ゴジラVSモスラ
ゴジラVSモスラ
HEIGHT (HEAD): 12.125 INCHES / 30.79 CM
WIDTH: (TOE TO TOE) 9.25 INCHES / 23.49 CM
APPROX. LENGTH: 16 INCHES / 40.6 CM
FIGURE WEIGHT: 1 LBS, 6 OZ / 623 G
ARTICULATION: NONE
REVIEW AND PHOTOS: © JOHN STANOWSKI
GODZILLA: TM & © TOHO CO.,LTD.
The Toho 30cm Series Godzilla 1992 is based on the Heisei film, Godzilla vs. Mothra. X-Plus first released this figure in 2011, very early on in the modern run of accurate vinyls which had a slow start around 2009. This was X-Plus’ very first Heisei Godzilla figure in the 30cm Series.
I had to dish out $500 for this figure in the aftermarket back in 2013. But new collectors will get a way better deal than I did.
Five years after this figure’s debut, it’s set to be re-issued for the first time, but only for the North American market. Sorry, Japan! Diamond Distributors will release it in late November 2016. It has a suggested retail price of only $160. But you will find retailers selling it for less. (You lucky bastards.)
This figure is known for not having the most accurate sculpt, but it does have other stellar qualities instead.
I had to dish out $500 for this figure in the aftermarket back in 2013. But new collectors will get a way better deal than I did.
Five years after this figure’s debut, it’s set to be re-issued for the first time, but only for the North American market. Sorry, Japan! Diamond Distributors will release it in late November 2016. It has a suggested retail price of only $160. But you will find retailers selling it for less. (You lucky bastards.)
This figure is known for not having the most accurate sculpt, but it does have other stellar qualities instead.
THE BOX
Like all 30cm Series figures, this figure arrives in a no frills, garage kit style, brown box. A separate, color cover is glued onto the lid.
BIG BOX
This box is very noticeably larger than the usual 30cm Series box. In fact, it’s so big, you could open it and put a standard 30cm Series box inside it and have room to spare. Keep in mind that shipping is going to be just a little bit higher for this one.
DIAMOND REISSUE
The Diamond Reissue box will look the same with the one exception of the PX Exclusive logo added to the cover art.
ADDING THE TAIL
When you first remove the figure from the box, you’ll find that the tail is separate and must be attached by you. Use a hairdryer on the hole on the body to make the vinyl soft. You’ll want to give this one an extra blast of heat because the tail hole is up high and the figure’s legs may get in your way. It’s been three years since I had to assemble mine and I really don’t remember how easy or difficult it was.
BIG BOX
This box is very noticeably larger than the usual 30cm Series box. In fact, it’s so big, you could open it and put a standard 30cm Series box inside it and have room to spare. Keep in mind that shipping is going to be just a little bit higher for this one.
DIAMOND REISSUE
The Diamond Reissue box will look the same with the one exception of the PX Exclusive logo added to the cover art.
ADDING THE TAIL
When you first remove the figure from the box, you’ll find that the tail is separate and must be attached by you. Use a hairdryer on the hole on the body to make the vinyl soft. You’ll want to give this one an extra blast of heat because the tail hole is up high and the figure’s legs may get in your way. It’s been three years since I had to assemble mine and I really don’t remember how easy or difficult it was.
SCULPT
And there it is. The Toho 30cm Series Godzilla 1992 may have a couple of accuracy issues, but holy shit, does that thing look good. I’ve always considered it a good all around, general representative of the Heisei series. I just like damn near everything about it.
This sculpt exudes a strong sense of “power” while at the same time seeming relaxed and unimpressed by any rockets, missiles or maser beams headed its way.
This sculpt exudes a strong sense of “power” while at the same time seeming relaxed and unimpressed by any rockets, missiles or maser beams headed its way.
The two main features which seem off to me are the face and the neck.
All of the details seem to be in the right places as far as I can tell. Yet, still, the face seems not quite accurate from certain views. The front and front 3/4 angles seem… okay but that snout appears a little fat from the side view. I don’t know. I’m not an expert that knows every nook and cranny of every suit so I really shouldn’t be talking about this. Look the photos and judge for yourself.
Now, putting aside an overreaching need for picture perfect accuracy, this portrait just screams Heisei Godzilla and is a good all around representative of that series. And it looks pretty badass.
The horizontal “ribbing” on the neck flanked by two vertical tendons (?) are right for this suit but the detail is a little overly pronounced. Again, not an issue to most casual collectors.
TEETH
The signature double rows of teeth are really done really, really well here. Each tooth is individually sculpted as they should be for such a pricey figure. And the tongue isn’t simply a raised part of the lower jaw but it also individually sculpted and glued in. Even though it lays flat over the floor of the mouth, it’s still clearly a separate piece with incredible detailing. Also, you may not notice right away, but the roof of the mouth has waves of articulate ridges. Incredible work. This is why I collect X-Plus.
All of the details seem to be in the right places as far as I can tell. Yet, still, the face seems not quite accurate from certain views. The front and front 3/4 angles seem… okay but that snout appears a little fat from the side view. I don’t know. I’m not an expert that knows every nook and cranny of every suit so I really shouldn’t be talking about this. Look the photos and judge for yourself.
Now, putting aside an overreaching need for picture perfect accuracy, this portrait just screams Heisei Godzilla and is a good all around representative of that series. And it looks pretty badass.
The horizontal “ribbing” on the neck flanked by two vertical tendons (?) are right for this suit but the detail is a little overly pronounced. Again, not an issue to most casual collectors.
TEETH
The signature double rows of teeth are really done really, really well here. Each tooth is individually sculpted as they should be for such a pricey figure. And the tongue isn’t simply a raised part of the lower jaw but it also individually sculpted and glued in. Even though it lays flat over the floor of the mouth, it’s still clearly a separate piece with incredible detailing. Also, you may not notice right away, but the roof of the mouth has waves of articulate ridges. Incredible work. This is why I collect X-Plus.
I hate to be repetitive, but for the benefit of those seeing X-Plus for the first time: the skin texturing in the sculpt is nothing short of incredible.
It’s like they gave separate attention to every single “tree bark” groove, bump, crease and fold.
It’s like they gave separate attention to every single “tree bark” groove, bump, crease and fold.
As usual, X-Plus focuses a ton of attention to each and every individually sculpted dorsal fin. Their shapes, arrangement and even the occasional stray reaching too far to one side like wayward teeth are faithfully reproduced in this sculpt.
The attention to fin detail runs down the back, over the tail joint and runs all the way down the tail.
This sculpt exudes a strong sense of “power” while at the same time seeming relaxed and unimpressed by any rockets, missiles or maser beams headed its way.
POSE
This figure looks GREAT from almost any angle. The side and quarter angle views are particularly cool as f**k! I’m not crazy about the front on view but I usually never am, with any of the figures. But that’s just me.
JOINTS & SEAMS
[ A joint is where two pieces connect and have not been glued and can still move. Tails are joints even though they are not intended to articulate. A seam is a meeting of two different pieces which have been glued and painted over yet can still be seen. ]
This figure is made up of at least 8 different parts. Yet, it reveals virtually no seams at all.
The arms attach to the figure right above the biceps. A noticeable “crease” can be seen here, luckily, the actual suit also had these creases.
Both lower legs attach to the figure below each knee, but you wouldn’t know it by how it looks. I had to look very hard to even find a seam.
The back piece which has the dorsal fins is expertly fitted and attached. No sign of a connection at the back of the lower jaw either.
It’s only at the tail joint where any line can be easily seen. And even there, the seam is hidden in the sculpted ridges of the tail. It also helps that the connection is up high on the figure and has both legs helping to shield it from view.
Five Stars for hiding virtually any evidence of its assembly!
This figure is made up of at least 8 different parts. Yet, it reveals virtually no seams at all.
The arms attach to the figure right above the biceps. A noticeable “crease” can be seen here, luckily, the actual suit also had these creases.
Both lower legs attach to the figure below each knee, but you wouldn’t know it by how it looks. I had to look very hard to even find a seam.
The back piece which has the dorsal fins is expertly fitted and attached. No sign of a connection at the back of the lower jaw either.
It’s only at the tail joint where any line can be easily seen. And even there, the seam is hidden in the sculpted ridges of the tail. It also helps that the connection is up high on the figure and has both legs helping to shield it from view.
Five Stars for hiding virtually any evidence of its assembly!
PAINT JOB
I am using the original 2011 release of this figure so, future proud Diamond Reissue owners, take note: it’s been 5 years. Your newer figure may have slight paint differences.
As for this original:
The figure has the usual, reserved, dusty, realistic, off black. No toyish, shiny blacks here. There are very, very subtle highlights over the feet, chest and neck. And while not a paint application, the figure’s rough skin is a virtual playground for lights and shadows which help to complicate it’s appearance, in a good way.
As for this original:
The figure has the usual, reserved, dusty, realistic, off black. No toyish, shiny blacks here. There are very, very subtle highlights over the feet, chest and neck. And while not a paint application, the figure’s rough skin is a virtual playground for lights and shadows which help to complicate it’s appearance, in a good way.
The dorsal fins are painted with what I consider to be too stark of a white. Often, with dorsal fins, claws and teeth, X-Plus will use colors which are too bright to be overly realistic. And in the case of this Godzilla 1992 figure, they’re even brighter.
Despite this, the application is excellent. The tips of the fins are all white, with the off black skin color filling the flank of each fin, and feathering up to the base of each fin spike. Multiple rows of minor fins (more bumps) traverse the tail and are, again, expertly painted.
The whites may be too white, but they are well done. This is still a high end vinyl collectible for sure.
CLAWS
The figure’s 16 claws are painted in a dark, off tan which is only slightly glossy. Be careful with these, the paint on X-Plus toes is easy to scrape. It’s an expensive figure and should be treated as such.
Despite this, the application is excellent. The tips of the fins are all white, with the off black skin color filling the flank of each fin, and feathering up to the base of each fin spike. Multiple rows of minor fins (more bumps) traverse the tail and are, again, expertly painted.
The whites may be too white, but they are well done. This is still a high end vinyl collectible for sure.
CLAWS
The figure’s 16 claws are painted in a dark, off tan which is only slightly glossy. Be careful with these, the paint on X-Plus toes is easy to scrape. It’s an expensive figure and should be treated as such.
MOUTH
The mouth has a base of a very unsaturated, off pink and completely avoids looking gaudy like lesser vinyl lines. Each individually sculpted to tooth is individually painted in an off white. The result is fucking incredible, especially with this guys double row of teeth. This kind of attention has always been one of X-Plus’ biggest selling points.
EYES
Each eye has a large, black pupil surrounded by a yellow iris. To say that they’re piercing is almost an understatement.
The mouth has a base of a very unsaturated, off pink and completely avoids looking gaudy like lesser vinyl lines. Each individually sculpted to tooth is individually painted in an off white. The result is fucking incredible, especially with this guys double row of teeth. This kind of attention has always been one of X-Plus’ biggest selling points.
EYES
Each eye has a large, black pupil surrounded by a yellow iris. To say that they’re piercing is almost an understatement.
This figure looks GREAT from almost any angle. The side and quarter angle views are particularly cool as f**k!
FOOTPRINT / ON THE SHELF
The X-Plus 30cm Series Godzilla 1992 is a little over 12 inches tall and about 16 inches long. It takes up pretty much the same room as most 30cm Series Godzilla figures. The end of the tail curves hard to the figure’s right making it easier to fit the figure on the shelf.
SIZE COMPARISONS
THE ’92’S
Here is the Toho 30cm Series Godzilla 1992 beside the Toho 30cm Series Battra Larva, also from 1992’s Godzilla vs. Mothra.
But, wait. Godzilla fan and X-Plus collector, Jessica Etchells, had told me that all of the water scenes during the Heisei series used the suits from the directly previous film. That means the battle at sea with Battra was done with the Godzilla 1991 suit!
Here is the Toho 30cm Series Godzilla 1992 beside the Toho 30cm Series Battra Larva, also from 1992’s Godzilla vs. Mothra.
But, wait. Godzilla fan and X-Plus collector, Jessica Etchells, had told me that all of the water scenes during the Heisei series used the suits from the directly previous film. That means the battle at sea with Battra was done with the Godzilla 1991 suit!
And here is the 30cm Godzilla 1992 with the only other Heisei villain in the whole of the 30cm Series, the Toho 30cm Series Space Godzilla (1994).
Here is a size comparison with the ’92’s closest X-Plus relative, the Toho 30cm Series Godzilla 1989. (I’m not including the Sakai series as blood relatives since they’re so much smaller, but a comparison with the Sakai ’91 is coming up).
For the longest time, if you wanted X-Plus 30cm Series Heisei Godzilla figures in your collection, these two were all you could get. That’s since changed with the arrival of Godzilla 1984. Aren’t we about due for another?
For the longest time, if you wanted X-Plus 30cm Series Heisei Godzilla figures in your collection, these two were all you could get. That’s since changed with the arrival of Godzilla 1984. Aren’t we about due for another?
THE GODZILLAS
A size comparison with other Toho 30cm Series Godzillas: Godzilla 2014, 1984 (1985), 1999 (2000) and 2004.
Every one of the figures in the photo above will be re-issued in North America (Diamond Reissues). One will come out each month starting now thru Summer 2017.
A size comparison with other Toho 30cm Series Godzillas: Godzilla 2014, 1984 (1985), 1999 (2000) and 2004.
Every one of the figures in the photo above will be re-issued in North America (Diamond Reissues). One will come out each month starting now thru Summer 2017.
RECENT RELEASES
Here is the 30cm Series Godzilla 1992 surrounded by X-Plus Kaiju recently released in Japan and in North America. (Left to right): Titanosaurus, Rodan 1964, Mechagodzilla (Kiryu) 2003, Mechagodzilla 1975 and Gigan 2004.
Here is the 30cm Series Godzilla 1992 surrounded by X-Plus Kaiju recently released in Japan and in North America. (Left to right): Titanosaurus, Rodan 1964, Mechagodzilla (Kiryu) 2003, Mechagodzilla 1975 and Gigan 2004.
The final size comparison which needs to be made is with the upcoming Toho 30cm Series Yuji Sakai Modeling Collection Godzilla 1992. They represent the same suit after all.
Unfortunately we can’t make that comparison because the figure hasn’t even been made yet. So, here to stand in for the new ’92 is the Toho 30cm Series Yuji Sakai Modeling Collection Godzilla 1991. You can bet the new ’92’s height will be comparable to this one. As a bonus, the pose on the new ’92 is almost the same as this ’91.
I still don’t understand why X-Plus is including these new Yuji Sakai vinyls in the 30cm Series when they’re so short. But what they lack in height they more than make up for in accuracy. (I just keep them displayed separately.)
Unfortunately we can’t make that comparison because the figure hasn’t even been made yet. So, here to stand in for the new ’92 is the Toho 30cm Series Yuji Sakai Modeling Collection Godzilla 1991. You can bet the new ’92’s height will be comparable to this one. As a bonus, the pose on the new ’92 is almost the same as this ’91.
I still don’t understand why X-Plus is including these new Yuji Sakai vinyls in the 30cm Series when they’re so short. But what they lack in height they more than make up for in accuracy. (I just keep them displayed separately.)
SUMMARY
The Toho 30cm Series Godzilla 1992 is one of the few Heisei entries in the series. While a few details push it the bottom of that short list when it comes to being completely movie accurate, its size and sense of power has no match. There will be a lot of comparisons when the Yuji Sakai version comes out. Despite what will be said, this figure will always have to look down to see the Sakai.
It has an amazing sculpt, pose and paint apps (despite the fins being a bit too stark). And when you get the larger than usual X-Plus box in the mail, you’ll have to fight the urge to bow to this king.
It has an amazing sculpt, pose and paint apps (despite the fins being a bit too stark). And when you get the larger than usual X-Plus box in the mail, you’ll have to fight the urge to bow to this king.
MORE INFORMATION
X-TRAS
By John Stanowski Originally posted November 12th, 2016 on Kaiju Addicts.
- Published on
My first real episode of Kaiju Addicts TV is now available. It’s a news video covering the new X-Plus announcements made this month.
Special thanks to Rich Eso for doing the intro to this episode!
Special thanks to Rich Eso for doing the intro to this episode!
By John Stanowski Originally posted November 8th, 2016 on Kaiju Addicts.
- Published on
Good lord! Make it stop! I just can’t take any more awesome today.
Today, X-Plus revealed some new figures at their Wonder Festival table.
Today, X-Plus revealed some new figures at their Wonder Festival table.
Large Monster Series Shin Godzilla (2016)
Feast your eyes on the Large Monster Series Shin Godzilla (2016).
The figure will be in the Large Monster Series (Daikaiju Series). However, it will be bigger than you would expect.
X-Plus told me a few weeks ago that it will be oversized compared to other figures in the line. X-Plus vinyl boss, Gee Okamoto, said, “The size is like the Daikaiju Series Godzilla 1995“. That would actually put it in line with the 30cm Sakai figures. One need only compare it to the Large Monster Series Gamera 1996 standing next to it in the photo above to see how impressive this figure will be.
No word on when it will be released.
The figure will be in the Large Monster Series (Daikaiju Series). However, it will be bigger than you would expect.
X-Plus told me a few weeks ago that it will be oversized compared to other figures in the line. X-Plus vinyl boss, Gee Okamoto, said, “The size is like the Daikaiju Series Godzilla 1995“. That would actually put it in line with the 30cm Sakai figures. One need only compare it to the Large Monster Series Gamera 1996 standing next to it in the photo above to see how impressive this figure will be.
No word on when it will be released.
Toho 30cm Series Mechagodzilla 1993
We first heard about a potential Mechagodzilla II figure last November during our interview with X-Plus. Now, after an 8-month wait, we get our first glimpse at this new entry into the Toho 30cm Series.
It’s really great to see X-Plus taking on more Heisei lately. Destoroyah, Battra and now this; love it!
I have to say, though: is it just me or does his feet seem big? Like, really big? I’m a bit concerned about this. Judge for yourself.
Hope this is just some sort of camera lens trick
The sign says this one is coming out in September.
It’s really great to see X-Plus taking on more Heisei lately. Destoroyah, Battra and now this; love it!
I have to say, though: is it just me or does his feet seem big? Like, really big? I’m a bit concerned about this. Judge for yourself.
Hope this is just some sort of camera lens trick
The sign says this one is coming out in September.
Gigantic Series Ultraman Type C
The Gigantic Series goes Ultra!
X-Plus boss, Gee Okamoto said he wanted to make a Gigantic Ultraman during our interview last November. So glad he actually did it. This thing looks fantastic!
It’s expected to ship in September.
X-Plus boss, Gee Okamoto said he wanted to make a Gigantic Ultraman during our interview last November. So glad he actually did it. This thing looks fantastic!
It’s expected to ship in September.
Large Monster Series Gamera 1996
Huh?
X-Plus released a Large Monster Series Gamera 1996 back in June of 2014. It seems they will be releasing another in September.
Unlike the first release which has a head tilted slightly upwards, this new sculpt has a head tilted slightly downward. I don’t get it. Perhaps X-Plus feels this new sculpt will better pair up with the Large Monster Series Legion which is due out in August.
Either way, those who missed out on Gamera two years ago will get another shot at him.
X-Plus released a Large Monster Series Gamera 1996 back in June of 2014. It seems they will be releasing another in September.
Unlike the first release which has a head tilted slightly upwards, this new sculpt has a head tilted slightly downward. I don’t get it. Perhaps X-Plus feels this new sculpt will better pair up with the Large Monster Series Legion which is due out in August.
Either way, those who missed out on Gamera two years ago will get another shot at him.
By John Stanowski Originally posted July 23rd, 2016 on Kaiju Addicts.
- Published on
FIGURE SPECS
ギガンティックシリーズ 「酒井ゆうじ造形コレクション」
ゴジラ1999 （ゴジラ 2000 ミレニアム）
ゴジラ1999 （ゴジラ 2000 ミレニアム）
JAPAN ORIGINAL RELEASE: EARLY OCTOBER 2015
NORTH AMERICAN DIAMOND REISSUE: MARCH 2018
SERIES: GIGANTIC SERIES
MATERIAL: VINYL
FROM: “GODZILLA 2000: MILLENNIUM” (1999)
ゴジラ2000 ミレニアム.
ゴジラ2000 ミレニアム.
HEIGHT (HEAD): 14 INCHES / 35.5 CM
HEIGHT (FINS): 15 INCHES / 38 CM
WIDTH: (TOE TO TOE) 11.5 INCHES / 29.2 CM
LENGTH: (HEAD TO TAIL) 28 INCHES / 71.12 CM
FIGURE WEIGHT: 2 LBS, 10 OZ / 1190 G
REVIEW AND PHOTOS: © JOHN STANOWSKI
In July of 2015, X-Plus announced the then next figure in the Gigantic Series. And, to everyone’s surprise, it was a Sakai.
The Gigantic Series Yuji Sakai Modelling Collection Godzilla 1999 (2000) would be the third entry in the Gigantic Series, and the third in the Yuji Sakai Modelling Collection (which, apparently, can now jump into other series).
To the disappointment of some—and the delight of others—this would not be a sculpt based on the movie suit but rather an early conceptual work by Yuji Sakai.
I’m not clear on the history of this design but I’ll tell you what I think I know. Apparently, this Godzilla was originally created on paper, drawn by Shinji Nishikawa (who was responsible for most of the Heisei monster designs). Sculptor Yuji Sakai then took Mr. Nishikawa’s drawing and realized it in three dimensions.
I’ve always wondered why the Millennium suit departs from it as much as it does. Did the producers have it changed on purpose? Were there real world technical considerations which called for the changes? Or could it be that the Millennium Godzilla we all know simply be the best translation that suit-maker Shinichi Wakasa could accomplish?
But, back to the figure. I was reluctant to accept this sculpt over a movie version. It was the completist in me which demanded that the Add to Cart button be pressed. I’m glad I did.
Three months later, this badass landed on my doorstep. I’ve since come to appreciate this version… A LOT.
(UPDATE: This figure was reissued for the North American market thru Diamond Distributors in March 2018.)
The Gigantic Series Yuji Sakai Modelling Collection Godzilla 1999 (2000) would be the third entry in the Gigantic Series, and the third in the Yuji Sakai Modelling Collection (which, apparently, can now jump into other series).
To the disappointment of some—and the delight of others—this would not be a sculpt based on the movie suit but rather an early conceptual work by Yuji Sakai.
I’m not clear on the history of this design but I’ll tell you what I think I know. Apparently, this Godzilla was originally created on paper, drawn by Shinji Nishikawa (who was responsible for most of the Heisei monster designs). Sculptor Yuji Sakai then took Mr. Nishikawa’s drawing and realized it in three dimensions.
I’ve always wondered why the Millennium suit departs from it as much as it does. Did the producers have it changed on purpose? Were there real world technical considerations which called for the changes? Or could it be that the Millennium Godzilla we all know simply be the best translation that suit-maker Shinichi Wakasa could accomplish?
But, back to the figure. I was reluctant to accept this sculpt over a movie version. It was the completist in me which demanded that the Add to Cart button be pressed. I’m glad I did.
Three months later, this badass landed on my doorstep. I’ve since come to appreciate this version… A LOT.
(UPDATE: This figure was reissued for the North American market thru Diamond Distributors in March 2018.)
THE BOX
The first two Gigantics came sandwiched inbetween two large blocks of styrofoam housed in a plain, brown box. The first thing you should notice about this box is that it looks like it belongs to the 30cm series. Yet, at 19″x19″x9″, it’s still pretty big.
PUTTING IT TOGETHER
The tail comes in two pieces. Plan ahead and decide which piece you want to attach first. Either way, something is going to get in the way during the next step.
I attached the small tail piece to the middle tail first. I used a hair dryer on the hole end and really warmed it up good. The hole is pretty small so there’s less room for the vinyl to make way.
I then attached the assembled tail to the main figure. Same as before, I heated the “butt hole”. This took a bit longer than usual. There is a piece of vinyl which runs down the back and holds all of the dorsal fins. It’s glued over the top of the hole making two layers you’ll need to soften up.
It’s been quite a while since I had to do this and I don’t remember how easy or hard it was to do. Gomen nasai.
I attached the small tail piece to the middle tail first. I used a hair dryer on the hole end and really warmed it up good. The hole is pretty small so there’s less room for the vinyl to make way.
I then attached the assembled tail to the main figure. Same as before, I heated the “butt hole”. This took a bit longer than usual. There is a piece of vinyl which runs down the back and holds all of the dorsal fins. It’s glued over the top of the hole making two layers you’ll need to soften up.
It’s been quite a while since I had to do this and I don’t remember how easy or hard it was to do. Gomen nasai.
SCULPT
One of the first questions that arises when a new figure gets delivered to your door is “did the sculptor get this one right?” In this case there is no question. Yuji Sakai created this version of the design. And this vinyl comes from his own sculpt. In that sense, this is probably the most accurate X-Plus figure in your collection.
The only thing left for you to review is the awesome design he created. This thing is fierce and powerful—everything you’d want a new Godzilla to be. And it’s dynamic—even though it’s a static vinyl statue just standing there on your shelf.
It seems that every part of the design is rushing to dagger-like points. His dorsal fins are a set of crazy, lightning bolt swords. His frightening head and snout arrows into a point ready to stab his foes with yet more points in the form of his triple set of fangs. His arms are thin, armed with four dagger-like claws on each hand. The tail, unlike previous designs, tapers to a point like a giant spear. Even the texture of his skin seems to want to extrude further into sharp edges.
This thing is sharp!
The only thing left for you to review is the awesome design he created. This thing is fierce and powerful—everything you’d want a new Godzilla to be. And it’s dynamic—even though it’s a static vinyl statue just standing there on your shelf.
It seems that every part of the design is rushing to dagger-like points. His dorsal fins are a set of crazy, lightning bolt swords. His frightening head and snout arrows into a point ready to stab his foes with yet more points in the form of his triple set of fangs. His arms are thin, armed with four dagger-like claws on each hand. The tail, unlike previous designs, tapers to a point like a giant spear. Even the texture of his skin seems to want to extrude further into sharp edges.
This thing is sharp!
The head looks like a dragon. It’s mouth, filled with individually sculpted teeth, looks real enough to bite. It’s inch and half long tongue is finely etched with detail. It’s crazy how much there is to see (and touch) in such a small space.
The skin texture is a tactile playground. It’s deep and complex and runs all over the figure. I’m sure it probably looks even better on the original resin version, but this is still one hell-of-a-good-looking vinyl.
Probably the most drastic departure from previous Godzilla designs is the look of the dorsal fins, now Millennium Godzilla’s signature feature. And they are so well done on this figure. Each individually sculpted fin is damn near a work of art and protrudes from the figure’s back creating an entire gallery of awesome.
But, wait. There’s more! This intricate, radiating array of spines doesn’t end at the base of the back. It continues down almost half of the tail. This toy ain’t no toy!
Yuji Sakai created this version of the design. And this vinyl comes from his own sculpt. In that sense, this is probably the most accurate X-Plus figure in your collection.
POSE
Sakai’s Godzilla 2000, in mid-roar, is in a standard walking pose which looks pretty fantastic from practically every angle.
TAIL BASE
You’ve no doubt noticed that clunky base supporting the figure’s raised tail. This is the main (and perhaps only?) drawback on this figure.
Yuji Sakai just seems to love sculpting tails up in the air. If can be honest for a sec here… I f*****g hate it. Once in a while, on one or two Sakai figures is okay. But, damn near all of them?
I’d like to be able to pick a figure up and put it down without having to line up the tail with that damn base. Grrr! Aaargh!
TAIL BASE
You’ve no doubt noticed that clunky base supporting the figure’s raised tail. This is the main (and perhaps only?) drawback on this figure.
Yuji Sakai just seems to love sculpting tails up in the air. If can be honest for a sec here… I f*****g hate it. Once in a while, on one or two Sakai figures is okay. But, damn near all of them?
I’d like to be able to pick a figure up and put it down without having to line up the tail with that damn base. Grrr! Aaargh!
JOINTS & SEAMS
Nothing bad to report here. The joints below the knees, above the biceps and round the neck are practically invisible. The joins there are filled in very well and really can’t be seen unless you specifically look for them.
The tail joint is a perfect fit and doesn’t stand out at all. It looks more like a statue than a vinyl.
The tail joint is a perfect fit and doesn’t stand out at all. It looks more like a statue than a vinyl.
PAINT JOB
This figure has a base cost of the usual, reserved, asphalt-like, off black. In certain light, it often gives off a hint of having a tinge of green.
There are lighter blacks brushed in as highlights but they’re used sparingly occurring mostly at the feet and the side ridges along the tail. Greenish highlights are present on the tail as well.
The attention to coloring the inside of the mouth is astounding. The teeth are way-off-white, yellowed and come with a tartar brown near the base of each fang. The tongue is a reserved, dark red with an even darker wash in all of the grooves in the sculpt.
A final, clear gloss makes everything look organic and, well, wet.
There are lighter blacks brushed in as highlights but they’re used sparingly occurring mostly at the feet and the side ridges along the tail. Greenish highlights are present on the tail as well.
The attention to coloring the inside of the mouth is astounding. The teeth are way-off-white, yellowed and come with a tartar brown near the base of each fang. The tongue is a reserved, dark red with an even darker wash in all of the grooves in the sculpt.
A final, clear gloss makes everything look organic and, well, wet.
As for those purple fins: what a strange and daring move by Yuji Sakai (and perhaps Shinji Nishikawa?)
The fins on the figure are coated with a dusty, almost metallic, purple which are very reflective in the light. This dark shade of purple is very reserved and so are not overly “Goofy Grape” as on a toy. Also, in the right light, plentiful specularities seem to create a band of magenta before fading back to purple.
The fins on the figure are coated with a dusty, almost metallic, purple which are very reflective in the light. This dark shade of purple is very reserved and so are not overly “Goofy Grape” as on a toy. Also, in the right light, plentiful specularities seem to create a band of magenta before fading back to purple.
More attention was paid to the toes than we’re used to. The base black feathers up each toe from the cuticle area, but also washes up even further in each ridge in the sculpt. Very nice touch.
Sakai’s Godzilla 2000, in mid-roar, is in a standard walking pose which looks pretty fantastic from practically every angle.
SIZE
This third entry into the Gigantic Series is the smallest. While its actual height is technically almost the same as the Gigantic Series Godzilla 2001 (which leans forward drastically), this figure has noticeably less mass to it, making it less “gigantic”.
But, it’s still big. And it’s definitely bigger than anything in your 30cm Series collection.
The top of the head is 14 inches high. But, this figure actually needs 15 inches of clearance as the dorsal fins creep up another full inch.
Its footspan varies depending on how you angle it. 11 to 11.5 inches.
Despite it’s large size, this figure weighs only 2 pounds, 10 ounces. It’s very light in hand.
But, it’s still big. And it’s definitely bigger than anything in your 30cm Series collection.
The top of the head is 14 inches high. But, this figure actually needs 15 inches of clearance as the dorsal fins creep up another full inch.
Its footspan varies depending on how you angle it. 11 to 11.5 inches.
Despite it’s large size, this figure weighs only 2 pounds, 10 ounces. It’s very light in hand.
FOOTPRINT / ON THE SHELF
From the tip of the snout to the tip of the tail, this figure is about 28 inches long and is a clear shelf hog. But the curve of the tail easily tucks it out of the way and against the back wall making room for another figure to stand beside the main body.
Take special care of the dorsal fins to make sure they don’t get scraped by the next shelf up when putting him away. As already mentioned, it needs 15 inches of vertical space.
Take special care of the dorsal fins to make sure they don’t get scraped by the next shelf up when putting him away. As already mentioned, it needs 15 inches of vertical space.
SIZE COMPARISONS
Here is a size comparison of the Gigantic Series Godzilla 1999, and its box, with a couple of real world items.
THE GIGANTICS
Godzilla 1999 is the smallest of the Gigantics. (Left to right: Gigantic Series Godzilla 2001, Gigantic Series Godzilla 1995, Gigantic Series Godzilla 1999/2000).
Godzilla 1999 is the smallest of the Gigantics. (Left to right: Gigantic Series Godzilla 2001, Gigantic Series Godzilla 1995, Gigantic Series Godzilla 1999/2000).
THE SAKAI’S
This one is for Sakai groupies. The Toho 30cm Series Yuji Sakai Modelling Collection Godzilla 1991 (far left) and Toho 30cm Series Yuji Sakai Modelling Collection Godzilla 1989 (far right).
This one is for Sakai groupies. The Toho 30cm Series Yuji Sakai Modelling Collection Godzilla 1991 (far left) and Toho 30cm Series Yuji Sakai Modelling Collection Godzilla 1989 (far right).
THE 1999ers
Millennium fans, here is the Gigantic ’99 with the Toho 30cm Series Godzilla 1999 (far left) and the S.H. Monsterarts version (far right).
Millennium fans, here is the Gigantic ’99 with the Toho 30cm Series Godzilla 1999 (far left) and the S.H. Monsterarts version (far right).
RELEASES NEAR WINTER 2015
Here is a size comparison with other figures which were released relatively near the same time the Gigantic Godzilla 1999 was released. Left to right: Toho 30cm Series Godzilla 2014, Large Monster Series Godzilla 1995 and Large Monster Series Biollante.
Here is a size comparison with other figures which were released relatively near the same time the Gigantic Godzilla 1999 was released. Left to right: Toho 30cm Series Godzilla 2014, Large Monster Series Godzilla 1995 and Large Monster Series Biollante.
RIC BOY EXCLUSIVE
The Ric Boy Exclusive version of this figure comes with translucent dorsal fins blazing in yellows and oranges just as they did before Godzilla fired his atomic breath in the movie.
They don’t light up, but the translucent vinyl used does allow light to pass through them. You can see more photos of the Ric in the Collectors Gallery below.
They don’t light up, but the translucent vinyl used does allow light to pass through them. You can see more photos of the Ric in the Collectors Gallery below.
CAUTION
This figure is large and it has all manner of toes, teeth, fins and tail bits stretching out in all directions. When adding or removing this guy from the shelf, your eyes have to be everywhere. Take particular caution not to scratch the top spikes on its dorsal fins when placing on a shelf (especially if you have the metal units like I do).
To prevent any warping at his ankles, take care to position the tail base in an area that doesn’t cause the figure to lean forward. I usually put the figure down, lift the tail until both feet are flat, and then slowly slide the base along the tail until it just makes contact.
And watch out for those dorsal spikes while handling. They made be made of soft vinyl, but they can still do some damage. You’ll take your eye out, kid.
To prevent any warping at his ankles, take care to position the tail base in an area that doesn’t cause the figure to lean forward. I usually put the figure down, lift the tail until both feet are flat, and then slowly slide the base along the tail until it just makes contact.
And watch out for those dorsal spikes while handling. They made be made of soft vinyl, but they can still do some damage. You’ll take your eye out, kid.
SUMMARY
The Gigantic Series Yuji Sakai Modelling Collection Godzilla 1999 is big, bad and sharp. While not as large and certainly no where near as massive as the first 2 entries in the series, this figure still dwarfs the 30cm Series. It’s smaller… but it’s not small.
Although at first this seems to carry on the tradition of very heavy Gigantic Series stylization, this figure is actually dead-on accurate for what it is: a conceptual design which preceded the suit. It’s extremely detailed and intricate.
Having this thing in your collection is sure to turn heads!
Although at first this seems to carry on the tradition of very heavy Gigantic Series stylization, this figure is actually dead-on accurate for what it is: a conceptual design which preceded the suit. It’s extremely detailed and intricate.
Having this thing in your collection is sure to turn heads!
MORE INFORMATION
X-TRAS
NOTE: From here down, photos may be sweetened in Photoshop to over dramatize the figure a bit beyond reality.
ANGLE INSPIRED BY ANDY PETERS. SEE HIS ORIGINAL PHOTO BELOW IN THE COLLECTOR’S GALLERY.
OVERLAPPING FIN LOOK INSPIRED BY RICH ESO.
ANGLE INSPIRED BY YIGONG WU. SEE HIS ORIGINAL PHOTO BELOW IN THE COLLECTOR’S GALLERY.
COLLECTORS’ PHOTO GALLERY
Andreas Brillinger
Andy Peters
Andy Peters
Chris Remick
Christine Chapin
Christopher Fielding
Damien Teran
Daniel Moreno
Daniel Moreno
David Eric Dopko
David Eric Dopko
David Eric Dopko
Dell Champagne Martinez
Dell Champagne Martinez
Gary Guinn
James Hale
James Hale
James Hale
John Deußing
John Parkinson
Lance Custodio
Mark Callaway
Mark Vega
Michael Denton
Michael Schattel
Nicholas Navaro
Timothy Schiefer
Yigong Wu
Yigong Wu
Yigong Wu
Yigong Wu
YM Chu
Michael Schattel
Chris Gambuti
Andreas Brillinger
By John Stanowski Originally posted June 28th, 2016 on Kaiju Addicts.
- Published on
Jeremy Soles, of Summit Kaiju, has been dishing out awesome X-Plus figure composites and is a fresh voice. He’s not afraid to avoid “shouting” in his photos. He often chooses to “step back” and show figures from a distance. This gives them a fresh, surprising and realistic quality.
(All Photos ©, Jeremy Soles.)
(All Photos ©, Jeremy Soles.)
COMPOSITE FEATURING X-PLUS LARGE MONSTER SERIES MECHAGODZILLA 1975 BY JEREMY SOLES.
COMPOSITE FEATURING X-PLUS 30CM SERIES YUJI SAKAI MODELLING COLLECTION GODZILLA 2001 BY JEREMY SOLES.
COMPOSITE FEATURING X-PLUS 30CM SERIES YUJI SAKAI MODELLING COLLECTION GODZILLA 2001 BY JEREMY SOLES.
COMPOSITE FEATURING X-PLUS GOROSAURUS BY JEREMY SOLES.
By John Stanowski Originally posted May 28th, 2016 on Kaiju Addicts.
- Published on
Yesterday, X-Plus tweeted a photo of the upcoming Large Monster Series Pacific Rim Leatherback under a black light with exciting results. Seen above is the Standard version of the figure glowing as the monster did in the movie.
And the Ric Boy version looks even more brilliant…
And the Ric Boy version looks even more brilliant…
Before you get excited, these photos most likely look more brilliant than they would in person. Taking photographs in low light requires longer shutter speeds and it’s difficult to capture what the eye sees. This is good news for the toy photographer as you should be able to reproduce these results.
That’s assuming, of course, that X-Plus shot the same figures we’re all about to get and didn’t use special paint just for these photos.
Leatherback is available to pre-order Now!
If you want the Ric Boy version you better act now. Pre-orders close on May 24. And don’t forget that Japan is in our future, so make your deadline May 23.
The Ric comes with a wider mouth, erect head tendrils, extended gill plates on the back and more greenish paint highlights all around.
That’s assuming, of course, that X-Plus shot the same figures we’re all about to get and didn’t use special paint just for these photos.
Leatherback is available to pre-order Now!
If you want the Ric Boy version you better act now. Pre-orders close on May 24. And don’t forget that Japan is in our future, so make your deadline May 23.
The Ric comes with a wider mouth, erect head tendrils, extended gill plates on the back and more greenish paint highlights all around.
By John Stanowski Originally posted May 21st, 2016 on Kaiju Addicts.
- Published on
Toy photographer, John Ruffin, is featured in the current edition of G-Fan Magazine (Issue #111). As you can see, he and his X-Plus vinyl collection have made the cover! An earlier post John made on the art and technique of toy photography will be included. If you can’t wait to get the issue, you can visit his website at http://mykaiju.com/.
You can get more information on G-Fan Magazine here.
You can get more information on G-Fan Magazine here.
By John Stanowski Originally posted February 18th, 2016 on Kaiju Addicts.