- Published on
After reviewing the pic this is the image used for the Fangoria magazine cover.
The bottom image is more of a wide screen version then what was posted on the L.A. Times site.
- Published on
From USAToday
The creature conqueror: Godzilla in Godzilla
When starting his huge reboot of “Godzilla” (May 16), director Gareth Edwards had to figure out who the giant nuclear-fueled monster would be if he was a real person.
His answer: the last samurai.
"He's an ancient warrior who's the last of his kind, and his kind has long since died out," Edwards says of his take on the legendary creature. "He lives a very solitary lonely existence and he's very happy to keep away from everyone, but we keep doing things to force him to return and put things right."
Godzilla is awakened by mankind yet again, and for his city-stomping moves, Edwards and his team first watched hundreds of clips of animals fighting to understand how he'd move. But "there's a reason they narrate all those National Geographic shows," the director says. "It's very hard to follow nature when you're just a spectator."
To see Godzilla's motivation and understand his reactions "when he was doing his thing," Edwards adds, "we dialed some more personality and made him a lot more human than we thought we would."
The creature conqueror: Godzilla in Godzilla
When starting his huge reboot of “Godzilla” (May 16), director Gareth Edwards had to figure out who the giant nuclear-fueled monster would be if he was a real person.
His answer: the last samurai.
"He's an ancient warrior who's the last of his kind, and his kind has long since died out," Edwards says of his take on the legendary creature. "He lives a very solitary lonely existence and he's very happy to keep away from everyone, but we keep doing things to force him to return and put things right."
Godzilla is awakened by mankind yet again, and for his city-stomping moves, Edwards and his team first watched hundreds of clips of animals fighting to understand how he'd move. But "there's a reason they narrate all those National Geographic shows," the director says. "It's very hard to follow nature when you're just a spectator."
To see Godzilla's motivation and understand his reactions "when he was doing his thing," Edwards adds, "we dialed some more personality and made him a lot more human than we thought we would."
- Published on
From Monster Island News, these are said to be from a 48 page production notes sheet I won't post them in there entirety here because of possible major spoilers, you can read a small part of each and choose if you want to read it in full. Links after each section.
GODZILLA - THE LEGACY OF GODZILLA
WARNING MAJOR SPOILER ALERT!
From Warner Bros
“The arrogance of man is thinking nature is in our control, and not the other way around.” —Dr. Serizawa
In 1954, Japan’s Toho Co., Ltd., released Ishiro Honda’s groundbreaking monster movie “Godzilla” in a country still reeling from the devastation of World War II. The film became a massive hit in Japan, and, 60 years later, continues to resonate around the world for distilling the fears and horrors of the atomic age into an awe-inspiring force of nature...Godzilla.
“‘Godzilla’ is the benchmark of monster movies,” says Gareth Edwards, the British director at the helm of the epic new vision for Toho’s iconic creation. Edwards grew up on Japanese monster movies before discovering Honda’s 1954 masterpiece on DVD and was fascinated by its stark allegorical subtext and continuing relevance in contemporary times. “If you went around the world with the silhouette of a giant dinosaur looming over a city, everyone would know exactly who it is—whether they’ve seen a Godzilla movie or not. But what many people don’t realize is that the original Japanese ‘Godzilla’ is actually a very serious film. I think that’s the reason it was so embraced by Japanese culture—because not only is it a great monster movie, it was also very cathartic for people to see those images brought to life on screen in such a visceral and real way.”
Partially reshot, softening some of its metaphorical bite, and dubbed into multiple languages, the film was released abroad two years later and a legend was born. For the past six decades, the towering “King of the Monsters” has cut a swath through pop culture, spawning numerous sequels, an army of toys, and incarnations in everything from comic books to video games. A whole new genre of movies emerged—kaiju eiga—and Godzilla became one of the most beloved and recognizable movie heroes of the 20th and, now, 21st centuries.
Continued here.
GODZILLA - THE LEGACY OF GODZILLA
WARNING MAJOR SPOILER ALERT!
From Warner Bros
“The arrogance of man is thinking nature is in our control, and not the other way around.” —Dr. Serizawa
In 1954, Japan’s Toho Co., Ltd., released Ishiro Honda’s groundbreaking monster movie “Godzilla” in a country still reeling from the devastation of World War II. The film became a massive hit in Japan, and, 60 years later, continues to resonate around the world for distilling the fears and horrors of the atomic age into an awe-inspiring force of nature...Godzilla.
“‘Godzilla’ is the benchmark of monster movies,” says Gareth Edwards, the British director at the helm of the epic new vision for Toho’s iconic creation. Edwards grew up on Japanese monster movies before discovering Honda’s 1954 masterpiece on DVD and was fascinated by its stark allegorical subtext and continuing relevance in contemporary times. “If you went around the world with the silhouette of a giant dinosaur looming over a city, everyone would know exactly who it is—whether they’ve seen a Godzilla movie or not. But what many people don’t realize is that the original Japanese ‘Godzilla’ is actually a very serious film. I think that’s the reason it was so embraced by Japanese culture—because not only is it a great monster movie, it was also very cathartic for people to see those images brought to life on screen in such a visceral and real way.”
Partially reshot, softening some of its metaphorical bite, and dubbed into multiple languages, the film was released abroad two years later and a legend was born. For the past six decades, the towering “King of the Monsters” has cut a swath through pop culture, spawning numerous sequels, an army of toys, and incarnations in everything from comic books to video games. A whole new genre of movies emerged—kaiju eiga—and Godzilla became one of the most beloved and recognizable movie heroes of the 20th and, now, 21st centuries.
Continued here.
GODZILLA - THE STORY AND CHARACTERS
WARNING MAJOR SPOILER ALERT!
From Warner Bros
“Godzilla” unfolds across multiple continents and spans several decades, tracing the impact of a series of mysterious and catastrophic events through the eyes of a handful of people caught at the epicenter. “Our film doesn’t tell this story from an omnipotent perspective,” Tull explains. “In the midst of this crisis are people whose lives are irrevocably changed by it. These aren’t super heroes, but regular human beings caught in extreme circumstances, which made casting such a vital component of our film.”
In this spirit, Edwards wanted to populate the film with actors who could deliver a level of performance that brought truth to the characters’ extraordinary journeys. “In a film like this, you get one buy, which is that there are giant monsters in the world,” he says. “The rest has to be as believable as possible, which is one reason I feel incredibly lucky with this cast. They were able to take what was on the page, bring it to life, and create an emotional reality that helps you believe everything else.”
For the cast, the combination of a cinematic icon and Edwards’ vision for his epic rebirth made “Godzilla” an irresistible prospect. “When Gareth and I first talked about the film, he told me to forget that it was a big monster movie,” recalls Aaron Taylor-Johnson. “I loved what Godzilla meant to him, and that he wanted to bring him to the screen in a big disaster spectacle, but to tell the story with a high level of artistry and emotion. That’s what made me want to do this project, and Gareth made the experience incredibly special.”
The actor takes on the central role of Ford Brody, a Naval officer specializing in disarming bombs, who has just reunited with his wife and young son in San Francisco when he is called away to help his troubled father in Japan.
Continued here.
WARNING MAJOR SPOILER ALERT!
From Warner Bros
“Godzilla” unfolds across multiple continents and spans several decades, tracing the impact of a series of mysterious and catastrophic events through the eyes of a handful of people caught at the epicenter. “Our film doesn’t tell this story from an omnipotent perspective,” Tull explains. “In the midst of this crisis are people whose lives are irrevocably changed by it. These aren’t super heroes, but regular human beings caught in extreme circumstances, which made casting such a vital component of our film.”
In this spirit, Edwards wanted to populate the film with actors who could deliver a level of performance that brought truth to the characters’ extraordinary journeys. “In a film like this, you get one buy, which is that there are giant monsters in the world,” he says. “The rest has to be as believable as possible, which is one reason I feel incredibly lucky with this cast. They were able to take what was on the page, bring it to life, and create an emotional reality that helps you believe everything else.”
For the cast, the combination of a cinematic icon and Edwards’ vision for his epic rebirth made “Godzilla” an irresistible prospect. “When Gareth and I first talked about the film, he told me to forget that it was a big monster movie,” recalls Aaron Taylor-Johnson. “I loved what Godzilla meant to him, and that he wanted to bring him to the screen in a big disaster spectacle, but to tell the story with a high level of artistry and emotion. That’s what made me want to do this project, and Gareth made the experience incredibly special.”
The actor takes on the central role of Ford Brody, a Naval officer specializing in disarming bombs, who has just reunited with his wife and young son in San Francisco when he is called away to help his troubled father in Japan.
Continued here.
- Published on
- Published on
Borenstein posted these pics as well as the tweet below, it would be hard pressed to believe they would setup the elaborate set just for one interview.
Just shot a rad #Godzilla interview with @ErinADarling @Jason_Horton. Keep an eye out for #gozillainvadesyoutube
Just shot a rad #Godzilla interview with @ErinADarling @Jason_Horton. Keep an eye out for #gozillainvadesyoutube
This was the pic Legendary posted with this: #GODZILLA + YouTube = ??. Find out soon.
- Published on
- Published on
The trailer seems to have some updated shots with clearer visuals, there is also a Muto in the Las Vegas scene.
- Published on
- Published on
Below is the translation from the official Japanese Godzilla site.
April 25 from Friday, theater Advance tickets released movie "GODZILLA" (25 published Jul.)
you will start! When I have you purchase an advance ticket theater, to 30,000 people nationwide total limited first-come
present the US design Double-sided poster! Regard to the limited quantity first-come-first-served basis, please note that when the end of the gift. Please contact the nearest theater for more information.
April 25 from Friday, theater Advance tickets released movie "GODZILLA" (25 published Jul.)
you will start! When I have you purchase an advance ticket theater, to 30,000 people nationwide total limited first-come
present the US design Double-sided poster! Regard to the limited quantity first-come-first-served basis, please note that when the end of the gift. Please contact the nearest theater for more information.
- Published on
From SciFiNow
Something of a Legendary Pictures stalwart thanks to his work with Christopher Nolan on Inception and Batman Begins, Ken Watanabe nonetheless brings Japanese cinema’s seal of approval for Legendary’s Godzilla reboot, playing Dr Ichiro Serizawa. But, as the actor exclusively reveals to SciFiNow, he had more than a few reservations about taking the nuclear menace back to Hollywood…
What does this version of Godzilla mean to you?
In Japan, this year is the 60th anniversary of Godzilla, since the original 1954 film. And we’ve had 28 different Godzilla movies since then. But Asian people know that the 60th anniversary is a very special one, because we have twelve animals for a year, and there are five cycles of the twelve for a ‘life’ and so 60 means being reborn.
So this is like Godzilla is being reborn, back to the original, and Gareth [Edwards] knows about that.
Were you worried about re-doing something so quintessentially Japanese?
If you are telling the Godzilla story, you cannot separate it from the nuclear element, and the first thing I asked was whether there was going to be the nuclear element, as that now, in Japan, is a really sensitive problem. And I was worried how I could use that, how I could make that OK, but Gareth understood those feelings.
But with this I was really nervous. I obviously have so many Japanese friends, and all of them were saying, “A Godzilla movie? In Hollywood? The last one was…” But I trust Gareth.
How was working with Gareth?
Before I met Gareth, the producers at Legendary said to me, “He’s the next generation’s Chris Nolan. I said, “Really?” They said yes. And I trust them. After this.
Are you ever worried about being typecast in Hollywood?
No. I think I play lots of different types of characters. They’re just Japanese.
Something of a Legendary Pictures stalwart thanks to his work with Christopher Nolan on Inception and Batman Begins, Ken Watanabe nonetheless brings Japanese cinema’s seal of approval for Legendary’s Godzilla reboot, playing Dr Ichiro Serizawa. But, as the actor exclusively reveals to SciFiNow, he had more than a few reservations about taking the nuclear menace back to Hollywood…
What does this version of Godzilla mean to you?
In Japan, this year is the 60th anniversary of Godzilla, since the original 1954 film. And we’ve had 28 different Godzilla movies since then. But Asian people know that the 60th anniversary is a very special one, because we have twelve animals for a year, and there are five cycles of the twelve for a ‘life’ and so 60 means being reborn.
So this is like Godzilla is being reborn, back to the original, and Gareth [Edwards] knows about that.
Were you worried about re-doing something so quintessentially Japanese?
If you are telling the Godzilla story, you cannot separate it from the nuclear element, and the first thing I asked was whether there was going to be the nuclear element, as that now, in Japan, is a really sensitive problem. And I was worried how I could use that, how I could make that OK, but Gareth understood those feelings.
But with this I was really nervous. I obviously have so many Japanese friends, and all of them were saying, “A Godzilla movie? In Hollywood? The last one was…” But I trust Gareth.
How was working with Gareth?
Before I met Gareth, the producers at Legendary said to me, “He’s the next generation’s Chris Nolan. I said, “Really?” They said yes. And I trust them. After this.
Are you ever worried about being typecast in Hollywood?
No. I think I play lots of different types of characters. They’re just Japanese.